Worth Repeating

August 27, 2010

by Design Galleria

Worth Repeating 

Written by Laurie Lehrich

 

Visual Rhythm is one of the most powerful principles of effective architecture and design.  It has been described as a timed movement through space.  It strengthens a concept, gives weight to a design, and I find that there is something reassuring and solid about a predictable pattern or detail.

 

One can achieve rhythm in several ways: through repetition, linear rhythm, alternation, and gradation.  I see these methods employed daily in architecture,  kitchen design, and interiors.

 

This is one of my favorite New England photos that illustrates how soothing a repetitive design can be.  This fence may be found in Bennington, VT.

Another effective use of rhythm in the tile pattern, the wine shelves, and the even in the wood grain. 

 

Design Galleria, Atlanta Symphony Showhouse at the St. Regis Hotel 2009

 

There is a subtle repetition in this kitchen, in both materials and pattern.  The  use of metal accents in the wood doors, stainless hood, and the stainless column surround tie the metals together.  The nickel hardware shares the use of “X” motif along with the custom hood design.

 

Design Galleria, Atlanta Symphony Showhouse at the St. Regis Hotel, 2009.

 

More examples of repetitive elements creating visual rhythm.

 

 I have no idea what this is; I liked it because it reminded me of a similar project way back in college.  Fun times. 

Another method for creating rhythm is by way of alternation. M.C. Escher was a master at this technique.

 

Gradation Rhythm in wood slats created as a room divider.

 

Two lovely examples of linear rhythm. 

 


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RE-INVENT YOUR NEST

August 23, 2010

by Design Galleria

 

 

Written by:  Mary Kathryn Timoney

 
RE-INVENT YOUR NEST

 

It’s hard to believe that it’s been almost a year since I wrote about “stay-cations”. While it seems that little may have changed in the past year, I’m inspired by the enthusiasm that is starting to show itself.  People are getting tired of being in a funk about “the economy”, and ready to move on and get energized again. 

 

Rather than starting from scratch, as we may have done in the past, people are anxious to re-invent their spaces and bring new life to their surrounds.  Why, even the Beijing Olympic National Stadium is getting re-invented!

 

The famous Beijing Olympic National Stadium…

Beijing Olympic National Stadium “Bird’sNest” to be Converted to Shopping Center

Here are a few neat twists on birds’ nests.  I hope they invoke in you a sense of beauty, whimsy, and creativity (okay, a few are a little scary, but creative never-the-less). Most of all, may they inspire you to find a new twist to breathe some life into your nest, as these homeowners did with their 10 year old kitchen by Design Galleria.

 


Of course, some of the most beautiful examples of birds’ nests are found in nature (as in the birds’ nest fungi below).  However, the final picture of the birds’ nest room at the Swedish Treehotel offers a wonderful pairing of nature and architecture.

Bird’s-nest fungi…

 

Lady Gaga’s bird’s nest head…

(a little scary)

 

Birds’ nest cradle?

 (a little scarier)

 

Birds’ Nest Chandelier…

 

Bird’s Nest Chairs…

 

“The Birds’ Nest” at the Swedish Treehotel… 

 

The Bird's Nest was designed by Inredningsgruppen

 

Inside the bird's nest is enough space for a couple and two children. This room, for example, is offered for 3,800 Swedish Crowns ($512 USD) per night and includes breakfast. 

 

The Bird's nest is reminiscent of a water tower built on stilts that has been camouflaged with sticks and woods to blend into the environment. Accessed is provided via a retractable staircase.


Read more: Stunning Swedish Treehotel Opens This Weekend! The Bird's Nest – Inhabitat - Green Design Will Save the World

 



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Polygon

August 13, 2010

by Design Galleria

Written by:  Matthew Quinn

I am traveling to Peru in October so I have been preparing for the trip by studying the various sites we will visit. I have always been fascinated by ancient civilization architecture and have thoroughly explored the most remote Mayan ruins in the Yucatan peninsula. I am intrigued by the similarities and differences between the Mayan and Incan architecture and cultures. A few particular Inca sites have been built by these polygonal stones or blocks. The spacing in between the stones is indicative of the structure’s function and formality.

Polygonal Rocks:

 

Polygonal blocks:

I also find it interesting that the plan of the city looks as if it is an elevation drawing of the construction of the walls.

plan of hatun rumiyoq

 

This shape feels so incredibly modern although it is clearly incredibly ancient. Here are some interesting products that use this shape brilliantly.

 

 

 

 

 

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Summer Sky

July 30, 2010

by Design Galleria

Written by:  Robin Pittman

Summer Sky

 

We have been blanketed by some overwhelming heat down here in the South for the past couple of weeks, haven’t we??  Heat so stifling, that even being completely submerged in a pool offers little relief!  I find myself looking for any excuse to stay inside in the air-conditioning…while eating ice cream, of course.

 

Despite my longing for the coolness of the days in early fall, I can’t help but acknowledge that we had some breathtaking displays of beauty in the summer skies for the past few days!  The crispness of the deep blues in the sky next to the whiter-than-white clouds was mesmerizing to me.  I found myself driving with my camera in my lap, snapping pictures whenever I had the chance to capture an image while out and about.  (hey, at least I wasn’t texting while driving, right?)  

 






The fresh blues and whites in our Atlanta skies reminded me of these images I recently came across from the Dar Bibine guest house on Djerba Island off the coast of Tunisia:

 




www.darbibine.com

 

I’m inclined to say that I would have the same sense of wonder and awe at this gorgeous retreat as I did with our summer skies here…but let’s be honest – putting up with the heat would be a lot easier in a place like this !


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Sanctuary

July 13, 2010

by Design Galleria

 

 

Written by:  Brian Buchanan

Sanctuary
Pronunciation: \ˈsaŋ(k)-chə-ˌwer-ē\
Function: noun
Date: 14th century

 

1)  a consecrated place: as a: the ancient Hebrew temple at Jerusalem or its holy of holies b (1): the most sacred part of a religious building (as the part of a Christian church in which the altar is placed) (2): the room in which general worship services are held (3): a place (as a church or a temple) for worship 
2)  a (1): a place of refuge and protection (2): a refuge for wildlife where predators are controlled and hunting is illegal b: the immunity from law attached to a sanctuar

 

While traveling, I’m often drawn to the architecture and design of the various churches, chapels or temples of the town I’m visiting.  Many are historical, each has its own unique design.  Some are elaborate, some, although beautiful, much more simple.   

The small town of Trust, NC is home to the St. Jude’s Chapel of Hope.

 

 One of the sweetest churches I’ve seen is the Church of the Resurrection in Little Switzerland, N.C.

 

 Bethesda-By-The-Sea, Palm Beach, FL

 

 

The very graceful All Soul’s Episcopal Cathedral in Asheville, NC.

 

 

 St Paul’s Episcopal Church in Delray Beach, FL

 

 

Not only are these structures sacred and beautiful, they often provide refuge and protection.  St. Paul’s Chapel in New York, just across the street from Ground Zero, was unharmed, not even a broken window, during the World Trade Center collapse. The chapel became a refuge for firefighters, police officers and others by providing meals, a place to rest and medical treatment.

 

 

 During a visit to San Francisco, and while my partner was in a conference, I would stroll each day to Huntington Park, which sits directly in front of Grace Cathedral.  Here, I would sit quietly and listen to the cathedral bells chime, watch the practice of Tai Chi and dogs nap at the feet of their owners.  It was very peaceful, quickly became my own refuge, and one of my favorite things about the trip.

 

 

 



 

 

Monument

July 2, 2010

by Design Galleria

Written by:  Patricia Danzig

Monument- mon·u·ment
Function:  Noun
1)  something erected in memory of a person, event, etc., as a building, pillar, or statue: the Washington Monument. 
2)  any building, megalith, etc., surviving from a past age, and regarded as of historical or archaeological importance. 

 

There have been so many contributions to our great country by so many men and women who have dedicated their lives to making it such a wonderful place to live.  The memory of them lives on when an architect builds a monument to them and some of the worlds best have participated in contributing to this.

 

The creation of a monument involves art, history, architecture, and politics and government.  The story of the creation of the Jefferson Memorial involved  President Franklin Delano Roosevelt, an architect who died in the midst of design, city ordinances and National Mall planning, World War II protests, and design conflict.  The final design incorporated the architectural style of Thomas Jefferson, thus adding to the powerful  tribute of a monument's focus on the man and his works. 

 

Shown below are some of our nations spectacular monuments. 

 

 The Lincoln Memorial:

 The Jefferson Memorial:

The United States has 100 protected areas  known as national monuments . The President of the United States  can establish a national monument by executive order , and the United States Congress  can by legislation.

 

George Washington's Birthplace:

 


 

Some monuments are a memory of a war, like the Pacific National Monument:

 

 

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Declaration

July 1, 2010

by Design Galleria

Written by :  Rachel Martin

Declaration-   Dec-la-ra-tion
Function:  Noun
1) a statement that is emphatic and explicit (spoken or written)
2) (law) unsworn statement that can be admitted in evidence in a legal transaction; "his declaration of innocence"

I believe that there is no better way to start our July definition blog other than with the Declaration of Independence.  The connections between art, design, architecture and this time in our history are boundless.  From Virginia Dare, to the Dutch purchase of Manhattan, to the century long debate resulting in the Mason Dixon Line, to the 56 signers of the document the Declaration of Independence,  men and women and children from different classes and countries influenced the "building" of a nation.  The crafted words of this document announced the birth of a new nation and the beginning of a political identity.  

 

The Declaration of Independence was signed in Philadelphia, the cultural, commercial and intellectual center of the the original 13 colonies.  The Georgian Architecture of Independence Hall represents one of the many architectural influences in our nation.   As is evidenced by the historical buildings in the colonies and in Washington DC, art, design, and architecture played a major role in the founding fathers establishment of a new nation.  

 

The combination of the influences of physical architecture and design and anatomy of each word of the Declaration of Independence are experienced by Americans each and every day.  

 

 


plaster work on the ceiling of HIstoric Kenmore in Fredericksburg, Va.
 

Built in 1720 in Milton Massachusetts, this Colonial home would fit right into my neighborhood. 

 

Old Stone House, the oldest known residence in Washington DC

 

 

 

Declaration of Independence

 

 

When, in the course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the laws of nature and of nature's God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.

We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable rights, that among these are life, liberty and the pursuit of happiness. That to secure these rights, governments are instituted among men, deriving their just powers from the consent of the governed. That whenever any form of government becomes destructive to these ends, it is the right of the people to alter or to abolish it, and to institute new government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their safety and happiness. Prudence, indeed, will dictate that governments long established should not be changed for light and transient causes; and accordingly all experience hath shown that mankind are more disposed to suffer, while evils are sufferable, than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same object evinces a design to reduce them under absolute despotism, it is their right, it is their duty, to throw off such government, and to provide new guards for their future security. --Such has been the patient sufferance of these colonies; and such is now the necessity which constrains them to alter their former systems of government. The history of the present King of Great Britain is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute tyranny over these states. To prove this, let facts be submitted to a candid world.

He has refused his assent to laws, the most wholesome and necessary for the public good.

He has forbidden his governors to pass laws of immediate and pressing importance, unless suspended in their operation till his assent should be obtained; and when so suspended, he has utterly neglected to attend to them.

He has refused to pass other laws for the accommodation of large districts of people, unless those people would relinquish the right of representation in the legislature, a right inestimable to them and formidable to tyrants only.

He has called together legislative bodies at places unusual, uncomfortable, and distant from the depository of their public records, for the sole purpose of fatiguing them into compliance with his measures.

He has dissolved representative houses repeatedly, for opposing with manly firmness his invasions on the rights of the people.

He has refused for a long time, after such dissolutions, to cause others to be elected; whereby the legislative powers, incapable of annihilation, have returned to the people at large for their exercise; the state remaining in the meantime exposed to all the dangers of invasion from without, and convulsions within.

He has endeavored to prevent the population of these states; for that purpose obstructing the laws for naturalization of foreigners; refusing to pass others to encourage their migration hither, and raising the conditions of new appropriations of lands.

He has obstructed the administration of justice, by refusing his assent to laws for establishing judiciary powers.

He has made judges dependent on his will alone, for the tenure of their offices, and the amount and payment of their salaries.

He has erected a multitude of new offices, and sent hither swarms of officers to harass our people, and eat out their substance.

He has kept among us, in times of peace, standing armies without the consent of our legislature.

He has affected to render the military independent of and superior to civil power.

He has combined with others to subject us to a jurisdiction foreign to our constitution, and unacknowledged by our laws; giving his assent to their acts of pretended legislation:

For quartering large bodies of armed troops among us:

For protecting them, by mock trial, from punishment for any murders which they should commit on the inhabitants of these states:

For cutting off our trade with all parts of the world:

For imposing taxes on us without our consent:

For depriving us in many cases, of the benefits of trial by jury:

For transporting us beyond seas to be tried for pretended offenses:

For abolishing the free system of English laws in a neighboring province, establishing therein an arbitrary government, and enlarging its boundaries so as to render it at once an example and fit instrument for introducing the same absolute rule in these colonies:

For taking away our charters, abolishing our most valuable laws, and altering fundamentally the forms of our governments:

For suspending our own legislatures, and declaring themselves invested with power to legislate for us in all cases whatsoever.

He has abdicated government here, by declaring us out of his protection and waging war against us.

He has plundered our seas, ravaged our coasts, burned our towns, and destroyed the lives of our people.

He is at this time transporting large armies of foreign mercenaries to complete the works of death, desolation and tyranny, already begun with circumstances of cruelty and perfidy scarcely paralleled in the most barbarous ages, and totally unworthy the head of a civilized nation.

He has constrained our fellow citizens taken captive on the high seas to bear arms against their country, to become the executioners of their friends and brethren, or to fall themselves by their hands.

He has excited domestic insurrections amongst us, and has endeavored to bring on the inhabitants of our frontiers, the merciless Indian savages, whose known rule of warfare, is undistinguished destruction of all ages, sexes and conditions.

In every stage of these oppressions we have petitioned for redress in the most humble terms: our repeated petitions have been answered only by repeated injury. A prince, whose character is thus marked by every act which may define a tyrant, is unfit to be the ruler of a free people.

Nor have we been wanting in attention to our British brethren. We have warned them from time to time of attempts by their legislature to extend an unwarrantable jurisdiction over us. We have reminded them of the circumstances of our emigration and settlement here. We have appealed to their native justice and magnanimity, and we have conjured them by the ties of our common kindred to disavow these usurpations, which, would inevitably interrupt our connections and correspondence. They too have been deaf to the voice of justice and of consanguinity. We must, therefore, acquiesce in the necessity, which denounces our separation, and hold them, as we hold the rest of mankind, enemies in war, in peace friends.

We, therefore, the representatives of the United States of America, in General Congress, assembled, appealing to the Supreme Judge of the world for the rectitude of our intentions, do, in the name, and by the authority of the good people of these colonies, solemnly publish and declare, that these united colonies are, and of right ought to be free and independent states; that they are absolved from all allegiance to the British Crown, and that all political connection between them and the state of Great Britain, is and ought to be totally dissolved; and that as free and independent states, they have full power to levy war, conclude peace, contract alliances, establish commerce, and to do all other acts and things which independent states may of right do. And for the support of this declaration, with a firm reliance on the protection of Divine Providence, we mutually pledge to each other our lives, our fortunes and our sacred honor.

New Hampshire: Josiah Bartlett, William Whipple, Matthew Thornton

Massachusetts: John Hancock, Samual Adams, John Adams, Robert Treat Paine, Elbridge Gerry

Rhode Island: Stephen Hopkins, William Ellery

Connecticut: Roger Sherman, Samuel Huntington, William Williams, Oliver Wolcott

New York: William Floyd, Philip Livingston, Francis Lewis, Lewis Morris

New Jersey: Richard Stockton, John Witherspoon, Francis Hopkinson, John Hart, Abraham Clark

Pennsylvania: Robert Morris, Benjamin Rush, Benjamin Franklin, John Morton, George Clymer, James Smith, George Taylor, James Wilson, George Ross

Delaware: Caesar Rodney, George Read, Thomas McKean

Maryland: Samuel Chase, William Paca, Thomas Stone, Charles Carroll of Carrollton

Virginia: George Wythe, Richard Henry Lee, Thomas Jefferson, Benjamin Harrison, Thomas Nelson, Jr., Francis Lightfoot Lee, Carter Braxton

North Carolina: William Hooper, Joseph Hewes, John Penn

South Carolina: Edward Rutledge, Thomas Heyward, Jr., Thomas Lynch, Jr., Arthur Middleton

Georgia: Button Gwinnett, Lyman Hall, George Walton

Source: The Pennsylvania Packet, July 8, 1776

 

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Father

June 25, 2010

by Design Galleria

 

Written by:  Kelly Hamiltion

Father 
Function:  Noun
1.  a male father
1.  a male parent. 
2.  a father-in-law, stepfather, or adoptive father. 
3.  any male ancestor, esp. the founder of a race, family, or line; progenitor. 
4.  a man who exercises paternal care over other persons; paternal protector or provider: a father to the poor. 
 5.  a person who has originated or established something: the father of modern psychology; the   founding fathers. 
6.  a precursor, prototype, or early form: The horseless carriage was the father of the modern automobile.  

For today’s blog I want to focus on above definition #5 and pay tribute to the great “Fathers of Design” who paved the way for those of us working in this industry today.  Since this is supposed to be a blog and not a design history encyclopedia I have highlighted my one favorite design from each man.  It was really hard to choose just one...  

 

Frank Lloyd WrightFalling Water, Bear Run, Pennsylvania 1937

 


Charles EamesEames Lounge Chair and Ottoman 1956  

(Although this is the “Father” blog it would be unfair not to mention Charles’ wife, Ray Eames,  who was his design partner) 

 


Charles-Édouard Jeanneret-Gris (AKA Le Corbusier)Unité d'habitation Roof Terrace 1947-1952



Charles Rennie Macintosh: The Lighthouse 1895

 


Antoni Gaudí: Casa Milà 1906-1910

 


Gerrit Rietveld: Red and Blue Chair 1917

 


Alvar Aalto:  Aalto Theater Opera House 1959-1988

 


Pierre ChareauMaison de Verre  (French for House of Glass) 1928-1932

 


Ludwig Mies van der Rohe:  Barcelona Chair 1929  

 


Walter Gropius:  Gropius Door and Window Lever 1923 

http://architecture.about.com/od/greatarchitects/p/waltergropius.htm 

 


Isamu Noguchi:  Noguchi Coffee Table 1944


George Nelson:  Marshmallow Sofa 1956

http://www.georgenelson.org/ 

 


Andrea Palladio:    Villa Rotunda 1567 (He never saw it completed)

http://www.boglewood.com/palladio/life.html 

 


Thomas Jefferson (he was not just the third President of the United Sates):  Monticello 1768 (based on the principals of Andrea Palladio)

 


Pierre Lescot:  The Lescot Wing of the Palais du Louvre 1546-1541

 


 
  

Eero SaarinenGateway Arch 1961-1966



 

 

 

 

 

Louis Sullivan:  Wainwright Building 1890  

 


Frank Gehry  (Living Legend): Dancing House 1992-1996   


 

Addison Mizner

April 9, 2010

by Design Galleria

Written by:  Robin Pittman

Addison Mizner

We all recognize the architectural style prevalent throughout the state of Florida – that very Spanish or Mediterranean feel, with stuccoed walls, terra cotta barrel tile roofs, ironwork, archways, and columns. Until spending time in Palm Beach a couple of weeks ago, I had never spent the time researching the history behind the architect that initialized this design aesthetic and brought this distinctive style to the region.

Addison Mizner was not a formally trained architect, but rather ended up in a 3-year apprenticeship after bouncing around between various professions ranging from artist to author. He became famous for his Mediterranean Revival style in the 1920’s and 1930’s. When Mizner relocated from New York City to Palm Beach in his mid-40’s, his design work was immediately embraced by the wealthy patrons of this resort community, who hired him to design residences throughout the area. In fact, business was booming to such an extent for Mizner – or maybe he was just a stickler to control every minute detail of his designs?? – that he opened Mizner Industries in West Palm Beach to manufacture all the tiles, ironwork, columns, cast stone, and furniture for the residences he was creating. He instructed all of the workers to distress and even damage all of the materials manufactured at Mizner Industries so that every aspect of the properties built looked to have been there for ages rather than brand new.

One of Addison Mizner’s loftier goals was to turn the small town of Boca Raton into a luxurious resort community. After starting a development company in the mid 1920’s, Mizner recruited several wealthy investors and began to drum up interest in this massive new resort. However, due to poor timing in the development industry, as well as some bad publicity, investors and buyers began backing out of the project, and the development was bankrupted within a year. Despite the fact he never saw Boca Raton developed into the resort town he imagined (he died in 1933), Addison Mizner is credited as the original visionary behind the town as we know it today.

 

 

 

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Bard

March 30, 2010

by Design Galleria

Written by: Kelly Hamilton

Bard
Function: Noun

1) The word "bard" actually means professional poet employed by a patron to commemorate the patron’s ancestors and to praise the patron’s own activities, but for centuries people have used it primarily as a nickname for William Shakespeare. So, whenever you hear someone say "the Bard", or the "Bard of Avon" (Stratford-upon-Avon being his home town) they are referring to Shakespeare.

In trying to draw a parallel between the word "bard" and the design world, I thought it best to highlight the theatre most associated with "the Bard". The Globe Theatre was a theatre in London associated with William Shakespeare. It was built in 1599 by Shakespeare's playing company, the Lord Chamberlain's Men, and was destroyed by fire on 29 June 1613. A second Globe Theatre was built on the same site by June 1614 and closed in 1642.

A modern reconstruction of the Globe, named "Shakespeare's Globe", opened in 1997. It is approximately 230 meters (750 ft) from the site of the original theatre.

Here are some sketches of what the original theatre may have looked like…

Above Picture Credit: Folger Shakespeare Library

Above Picture Credit: Folger Shakespeare Library

And here are some pictures of "Shakespeare’s Globe" as it sits…

 

 

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